AGUA, is a beautiful, understated short about a University swimmer feeling at home in the water but awkward and shy around his fellow teammate and mancrush. It's very sweet and remarkably well made. It's worth twelve minutes of your time.


“Every street has a story.” Sticks & Stones is an intimate documentary about a song, a street, and a diva. Bambi Lake, a notorious San Francisco transgender performer and entertainer, takes us on a stroll down Polk Street, sharing anecdotes and the history behind her song "Golden Age of Hustlers," which was written about her time as a street hustler in the mid-70’s. She landed on Polk Street after a stint with the Cockettes and prior to regular gigs at renowned 80s/90spunk venue, the Mabuhey Gardens.
Amias develops two subsequent relationships, one with Nina and the other one with Ariel. Only when his heart breaks twice, he realizes he has to look inside.AMIAS is way more fulfilling than most short films. At just nine minutes long, AMIAS is a quick watch that masterfully manipulates us into feeling like we have been part of a much longer film experience. It is very much worth your time.
Its the journey of a boy from the priviledged point of view of his deepest unconscious.
The story catapults us into a dreamlike dimension somewhere between dream and reality, constantly torn between what is now, what was and what could be, not just for him but for each of us. A universal engaging theme but at the same time so intimate and private that by watching this short film one has the feeling of being elephants in a china shop breaking everything they touch within this delicate balanced triangle. A balance so precarious that it disintegrates in the moment of a race towards themselves, to nowhere, to the truth.
"Amias", he is what he seems to be, helpless and naked in front of us, he leaves the viewer free to get lost in the poetry that erupts in the images, from the composition of the shots to the gestures so simple yet so powerful. He allows thousands of different possibilities in interpreting the scenes.
The original rhyme of Suck-A-Thumb was one of my favourite stories growing up. The story of a young boy sucking seemed perfect to make into a camp horror animation that was both funny and cruel. It was great to be able to expand the story and turn it into a horror series. My dream is to turn the stories into a stop-motion feature film.
I think there is a strong sexual undertone to Suck-A-Thumb, whether it's intended or not by Hoffmann. The story is certainly is often read as masturbation by modern audiences. We played the sexual innuendo from the tale right up making it as rude as possible from the sucking of the thumbs in the first film to the erection-cutting off in the third one! One blog said the films were 'Explicitly homosexual' which we thought was fantastic.Richard Mansfield is not alone in this undertaking. He and his husband Daniel, who voices the narrator and Mother in the Suck-A-Thumb trilogy, founded the production company Mansfield Dark in 2011. Together they've put out host of uniquely wonderful movies ranging from the outrageous comedy of ‘Showgirls 3’ to the chilling horror of ‘The Mothman Curse’. Their first official DVD release was LGBT period-drama 'The Secret Path.' Coming 14th April is gay vampire thriller 'Drink Me'. You can watch 'The Secret Path' below!
Julio, a 40 years old man who lives with his father and his grandmother who he helps looking after, works as a cross dressed jazz singer. Julio's father does not approve his work but has to deal with all his anger when his favorite son looses all his money and Julio has to take over all the house's expanses. But the biggest challenge comes to both of them when Julio discovers that his father has a fatal illness. Julio has very little time to destroy the wall between them to win his love and he'll do whatever is necessary to succeed.This barely scratches the surface of the true nature of this charming movie. Julio's brother Manu (short for Emanuel) and Grandmother embrace Julio and respect him and the financial support he gives the family. But, the Father is a different matter altogether. He is a seething ball of hatred and rage who also happens to be dying of an undisclosed terminal condition. In one particularly gut wrenching segment, Julio and Manu are the victims of gay bashing outside a nightclub while at home, their Father is destroying Julio's room and clothing out of disgust for his cross dressing. The acting is so wonderful by the father in this scene that you easily feel his own self-hatred and fear boiling over, causing him to last out.