Reed W. from Beaverton Oregon!
Be sure to keep checking the blog on a regular basis! We will be starting a new contest in the coming weeks!
1) The Young Protectors Vol. 1 signed by Alex Woolfson and both artists, penciler Adam DeKraker and colorist Veronica Gandini!
2) An authentic and official Spooky Cap, just like fan-favorite superhero Spooky Jones wears in the comic!


As wonderful as Alex's earlier projects are, especially Artifice, the gay sci-fi collaboration with artist Winona Nelson, nothing could have prepared Woolfson for the run away success of The Young Protectors. For The Young Protectors, Alex teamed up with Marvel/DC penciler Adam DeKraker and Harvey-award nominated colorist Veronica Gandini. When it was time to do a print run of Vol. 1 of The Young Protectors, Alex turned to Kickstarter asking for $14,000 and offering some pretty wonderful perks for those that chose to donate. He wound up with a staggering $133,000 in donations. Also, his Patreon campaign (Patreon is a website where artists can ask Patrons for small monthly donations to help allow them to work on their art) has more than 375 monthly donors making it possible for Alex to spend more time working on the projects we all love."As a gay kid growing up, I loved science-fiction and action films and comics, but I never got to see what I really wanted to see and that’s kick-ass genre fiction with heroes, real heroes, who just happened to like other guys. And it didn’t take long before I realised that if I wanted to see those stories in the world, that I’d have to make them myself. Originally, I thought I might create films like that and so I became a filmmaker (which is still my day job)—but I soon realized speculative fiction films are so incredibly expensive that it’d be extremely unlikely I’d ever be able to fund them myself. And it was even more unlikely that Hollywood would want to fund a big-budget actioner with a gay hero. But you can make a “feature-length” comic for the price of a short film. And in comics, you essentially have an unlimited special effects budget. So by deciding to tell visual stories in comics form, it let me tell exactly the kinds of stories I want to tell."
